ACT I
SCENE 1
EXT. CHINA. HONG KONG. 1894. NIGHT.
It is the middle of the Evening. The streets are lit with Chinese lanterns. Candles sit in shop windows. An Elderly Lady is seen dragging her daughter down the street, pulling her hair. She drags her into a nearby shop with much more lighting than the other shops. We see a close up of the young girls face crying and screaming.
NARRATOR
The year is 1894. The Chinese have always been notorious for there unusual and deemed unmoral delicacies. In the time of poverty and hunger, It is no longer a question of morals. It is a choice of survival. Those able to make cruel and evil choices. They will be the driving force into the new world.
SCENE 2
EXT/INT. CHINA. HONG KONG. CHINESE MARKET. 1894. DAY
The town square is booming with activity, people shopping, calling out to people, stall keepers shouting to customers. It seems like everyday in Hong Kong. There is a loud crowd swarming around one individual stall. The Customers frantically trying to get the owners attention to be served. looking from behind the crowd, it becomes clear that there are human body parts hanging from meat hooks swarmed by flys. Specifically, childrens body parts hanging down. Legs, Arms, Torsos and a childs head hanging from hooks. It becomes clear people are selling these children as meat and it seems natural and people are eager to get there share.
MALE 1
1lbs of that girls behind!
FEMALE 2
2lbs of thigh please!
SHOP OWNER
Right! We're Out of Torso!
SCENE 3
INT. CHINA. HONG KONG. HOUSE. 1894. EVENING.
A large fire is buring away. A large pot is brewing away, meat sizzling in the boiling waters. An Elderly lady is seen at the table chopping away at the thigh and arm she bought earlier. Chopping them into a stew. She has no expression on her face. shes chops, throws them into the water, adds vegetables and begins to stir. Her husband enters the house, exhausted, covered in dirt and dust. He takes a seat at the table. She brings the pot over and pours the stew into his bowl. He begins to eat, as if he has never had a meal before. She smiles.
ACT II
SCENE 4
INT. SHIP CABIN. HONG KONG DOCKS. 1894. NIGHT.
Aboard the Steamer Tacoma Cpt. John Davies is sat in his ship chamber alone, eating a feast. Various meats are laid out on the table. A knock comes from his chamber door.
FIRST MATE
Cap'n?
JOHN DAVIES
What?! Cant you see im busy!
FIRST MATE
A thousand 'pologises Cap'n.
JOHN DAVIES
Well What is it then?! spit it out!
FIRST MATE
Th' Crew were wonderin' if we could have a few coins of silver for some grub'.
JOHN DAVIES
Take it and Fuck off already! (throws coins onto the floor)
John jumps up from his chair in anger at the disturbance. The first mate cowers. Hiding behind the door.
FIRST MATE
Thank ya' Cap'n!
John returns to his seat, returning to eat the flesh upon his table.
SCENE 5
EXT/INT. CREW QUARTERS. HONG KONG DOCKS. 1894. DAWN.
The first mate returning to the ship, with a large wool bag, dripping blood down his back.
The crew sat around the table, hungry, eager at the meal awaiting them. The chef, walks over to the large table with a large tray layered with meat, placing it on the table.
The door swings open. Captain John Davies is standing in the archway. The crew look on in confusion.
JOHN DAVIES
What in God's name do you filthy creatures think you are you doing?!
The crew sit there in shock.
JOHN DAVIES
Well Answer then!
They look at each other, the first mate stands up nervously.
FIRST MATE (TREMBLING)
Whats the problem Cap'n?
JOHN DAVIES
Problem! PROBLEM?!
The first mate nods his head.
JOHN DAVIES
THE PROBLEM IS I GAVE YOU THREE SILVER! AND YOU COME BACK WITH THIS?!
FIRST MATE
But.....
JOHN DAVIES
YOU STOLE IT?!
FIRST MATE
No Cap'n, I swear!
JOHN DAVIES
Get out.
FIRST MATE
But Cap'n.
JOHN DAVIES
Leave now. Or god be my witness, I will carve your heart out and feed you it for supper. LEAVE!!!
The crew stand and rush out of the room. Leaving the Captain and the steaming meat lay out on the table.
He approaches the table. Takes a seat. Laying a napkin on his lap he begins to eat.
Looking down, he sticks his fork into a cooked human nose. Inspects it, then continues. He continues, picking up a ear, wolfing it down.
He clears the entire tray.
JOHN DAVIES
Nothing can compare to the succulence that is a fresh child.
ACT III
SCENE 6
EXT/INT. DOCKS. NEW YORK. 1895. DUSK.
The crew are unloading the ship. Captain John Davies leaving the ship, wrapped in his silk cloak, spots a young boy moving small crates. The boy is about 11 years old. John approaches the boy. Hunger in his eyes.
JOHN DAVIES
Hello young sir.
BOY
What can I do you mister?
JOHN DAVIES
Theres a few important bags below the deck. Carry them home for me, and I shall give you one shiney silver coin.
The childs eyes light up. Dropping the crate, runs for the stairs to the lower decks.
John waits.
The child returns with Johns bag.
BOY
Where do you want them mister?!
JOHN DAVIES
406th St.Brought, Number 100. The key will be in the lantern beside the door.
The child runs down the street with the bags in hand. John begins to follow.
SCENE 7
INT. JOHNS HOUSE. NEW YORK. 1895. NIGHT.
The door slowly opens. John enters. The young boy is sat at the chair, the bags by his side. Hes eating an apple stairing into a fire, unaware of Johns presence.
John approaches the child from behind. He slides a knife out of his belt. Grabbing the young boy by his head, he slices the boys throat. Unable to react, the boy sits there, apple in hand, blood pouring and white as a ghost.
John drags the boys corpse into his kitchen. lays his body onto a table. removes his clothes. Removes a cleaver from the wall. Strokes the boys head and begins chopping him into pieces. John continues chopping, with a hungry smile on his face.
JOHN DAVIES
Nothing Like It.
THE END
